Jean Claude Van Damme! Time travelling! Kicking things! This month’s Movie of the Month champion is not what you’d necessarily call a “good” film, but it certainly provoked an entertaining discussion covering the career of JCVD, the ramifications of time travel and whether or not the same matter can share the same space (it can… but it can’t).…
Once again, the MOTM feature proves that all good things come to those who wait. Of course, your definition of “good things” may differ from someone else’s. Namely, Dan Heaton’s, whose championing of Timecop has now finally paid off with its selection as the MOTM, beating out Joel’s selection of Runaway Train. (Apparently, Joel is persona non grata when it comes to MOTM film selections,...
I don’t know if it’s a slight against the film or not, but this is the entirety of the IMDb summary of our most recent Movie of the Month, Cocktail:
“A talented New York bartender takes a job at a bar in Jamaica and falls in love.“
If you’re a normal movie blogger at all, you’re probably wondering why and how this film came to be the Movie of the Month. For the...
Timing is everything! At least as it pertains to the selection of the Movie of the Month, it is. Justin of Man, I Love Films has attempted to wedge his love for Cocktail and/or Tom Cruise into several MOTM polls, and by waiting until the clamor to champion films died down, he nearly got his pick in without even needing a poll. As it was, Dan of Public Transportation Snob snuck in at the last second with an equally cheesy...
Pretty sure I haven’t seen an IMDb summary recently that makes the film it’s talking about sound much worse than this one:
“Billy and Sydney think they’re the best basketball hustlers in town, so when they join forces, nothing can stop them, except each other. To add to their problems, Billy owes money and is being chased by a pair of gangster types.“
White Men Can’t Jump,...
Persistence indeed pays! Though, it also helps to not have as much competition. On his sixth (and reportedly final) attempt at making Ron Shelton’s 1992 hoops comedy the Movie of the Month, Joe Giuliano of Two Dude Review has made White Men Can’t Jump a winner. It was a very light turnout with just 32 votes, but White Men still won handily, easily beating Shep Joel’s choice of Body Double. ...
Primer was released in 2004 and it’s safe to say that it didn’t exactly set the world on fire. When the receipts had all been counted, it had made a little less than half a million. The thing is, when your film costs $7,000 and makes that much (combined with the growing success of Netflix), people start to pay attention. Word of mouth spreads, talk of brilliance and complexity abounds, and the next thing you know,...
After last month’s destruction by, appropriately, Demolition Man, we were due for a change of pace, and boy did we get one. We had quite the downturn in participation; after 137 votes last month, there were just 51 this month, but the upside of that is that we had an intense race. It was so close, in fact, that the top three films were separated by a total of two votes, with Upstream Color winning with 14 votes,...
Is it a silly action flick with a quasi-serious message or a serious action flick made silly by two decades of aged cheese? Is it really from 1993 or is it the last 80s film? Is it live or is it Memorex? These questions and many, many more surround the 1993 Stallone and Snipes showdown Demolition Man, a film that deals with the pain of being aware of the passage of 40 years whilst being able to experience nothing but that...
Apparently, Jay really, really wanted to win, and he really, really wanted Demolition Man to be the film he won with. The man from Life vs. Film went all out for the MOTM poll; overall, we had 137 votes, and his film had more than half of them, in a competition that was a competition for about 12 hours before it got out of hand. To the rest of the potential Champions (well, except for Joe, perhaps), don’t fret. Try again...
Wanna win the Movie of the Month poll?
I wouldn’t go so far as to say it’s a lock – particularly not when there’s more than one film meeting the criteria – but choosing a film from pre-1965 seems to be a pretty solid strategy. I also wouldn’t go so far as to say that that was the strategy Dan Heaton had in mind when he chose Double Indemnity as his film to Champion, but the results...
This had to have been one of the more diverse groupings of films we’ve had for the MOTM. True, it’s not as though there were any foreign films or silents or docs, but we had a classic horror flick, a classic noir, a sci-fi thriller, a sports comedy, and whatever Dark City fits into.
However, what started as a close race pretty quickly became a blowout, as Dan Heaton’s selection of Double...
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